: Saturday 8 September, 5 to 7 pm
: Thursday 18 October (in conversation with Hendrik Folkerts at Stedelijk Museum, Amsterdam)
TEN THOUSAND WAVES (photographic series)
THE LEOPARD (the single screen video of Western Union: Small Boats)
Galerie Ron Mandos is delighted to announce our season opening show BETTER LIFE (TEN THOUSAND WAVES) with highly acclaimed British artist Isaac Julien. On show will be the TEN THOUSAND WAVES photographic series as well as the single screen video THE LEOPARD.
In conjunction with BETTER LIFE (TEN THOUSAND WAVES), Isaac Julien’s spectacular 9 screen video installation TEN THOUSAND WAVES will be on show in EXPANDED CINEMA, an exhibition with fellow artists Fiona Tan and Yang Fudong opening on the 28th of September at the new Eye Film Museum, Amsterdam.
Isaac Julien’s TEN THOUSAND WAVES photographic series together with the nine screen installation of the same name poetically weave together stories linking China’s ancient past and present. Through an architectural installation and a series of photographs the work explores the movement of people across countries and continents and meditates on unfinished journeys.
Conceived and made over four years, TEN THOUSAND WAVES sees Julien collaborating with some of China’s leading artistic voices, including: the legendary siren of Chinese cinema Maggie Cheung; rising star of Chinese film Zhao Tao; poet Wang Ping; master calligrapher Gong Fagen; artist Yang Fudong; acclaimed cinematographer Zhao Xiaoshi; and a 100-strong Chinese cast and crew. The film’s original musical score is by fellow East Londoner Jah Wobble and The Chinese Dub Orchestra and contemporary classical composer Maria de Alvear.
Filmed and shot on location in the ravishing and remote Guangxi province and at the famous Shanghai Film Studios and various sites around Shanghai, TEN THOUSAND WAVES combines fact, fiction and film essay genres against a background of Chinese history, legend and landscape to create a meditation on global human migrations. Through formal experimentation and a series of unique collaborations, Julien seeks to engage with Chinese culture through contemporary events, ancient myths and artistic practice.
Isaac Julien’s THE LEOPARD is an exclusive single-screen reworking of his celebrated 2007
installation WESTERN UNION: Small Boats.
This film takes its title and visual starting point from Visconti’s masterpiece The Leopard, looking at a cinematic afterlife, haunted by characters from other places and other films. Vanessa Myrie wanders lost through the rooms of Visconti’s palazzo. the interiors, once opulent and luxurious, are now abandoned, echoing with the ghosts of decadence and grandeur and resonant with the new Sicilian history of migration.
Exploring similar themes of voyages, excursions and expeditions to the TEN THOUSAND WAVES project, Isaac Julien’s 2007 multi-screen installation WESTERN UNION: small boats was produced at a time of debate about immigration policies and the relations between the individual and the geopolitical. THE LEOPARD is a newly edited cinema version of the work that seeks to re-engage with these ongoing issues, humanising and lending poetic qualities, image and voice once again to questions, which so often get lost amidst the noise of political agendas.
Internationally renowned choreographer Russell Maliphant has choreographed a series of vignettes in several locations, utilising dance and the movement of bodies, echoing these journeys but also rearticulating them.